Paula Reed Nancarrow
Ode to the Mortician’s Good Intentions
If mortuary science were an art
they’d call it that. He’d done the best
he could. Massaged the rigor mortis out
drained the blood, the body fluids
the contents of stomach and bowels.
Inserted the embalming needles
in discrete locations. All to preserve
an appearance closer to the way
we might want to remember
our father. Closer is key.
Carefully the mortician packed
the body’s cavities with cotton wool
so nothing would leak out. Laid
a plastic cap over the eyeballs
before closing their lids
to ensure a natural shape
then sewed his mouth shut
for a relaxed expression. A slight
tilt to the right for his head
on the pillow to provide a familiar view.
My middle sister was blunt:
“That doesn’t look like Dad at all!”
I am not sure which of our fathers
she was looking for.
What moment of time
was the real him to her.
Paula Reed Nancarrow is a Minnesota poet, a Pushcart Prize- and Best of the Net-nominee, and a past winner of the Sixfold Poetry Prize. Her poems have appeared in Calliope, Poetry South, and FRiGG, among other journals. Find her at paulareednancarrow.com.