Isabel Bezerra Balée
The Joy of Life [Le bonheur de vivre],
Henri Matisse, ca. 1905-1906
The Joy of Life
after Henri Matisse
i.
Remember how
we were supposed to be
serpentine
figures lounging under
the boughs spread open
like curtains
informal nameless
subjects gallivanting
about
in an imaginary Arcadian
meadow
how we could have
undressed
and reposed
in a field of
unnatural yellow
no pressure
and no such thing
as time
just the sound of a flute
enveloping
a central ring
of dancers
it would have been nice
to lack
individuation
and be completely
nothing
inside
it could have been us
we could have never
left the idyll
ii.
Everyone here’s
a stranger
I’m observing
the environment
through a filter
of unrestricted color
and flattened
pictorial space
I thought we’d re-enact
mythology together
sleep in yellow grass
that lacks perspective
the primer’s been left
visible
in some places
do you notice the edge
of what’s
impossible
the abrupt ruptures
of scale
make no sense
there’s no depth
to the ideal
we must accept
a certain
level of deception
iii.
We could link arms
and promenade
along the demolished
remains
of an anonymous
urban center
I could turn to you
and ask what you think
about circular economies
whether you believe in
octopian intelligence
if every poem
is a kind of springing
rebirth
and there’s no yesterday
no past
which we know
is never-ending
but let’s not go
to infinite regress
let’s say it’s just a glitch
and we found
the north-facing slopes
of coastal redwood forests
where sunlight is softer
existing in a state
of how we imagined
each other
two rowers advancing
toward sunset
in a perfect synchronicity
the misty air
totally free
of mindfuck
iv.
Do you ever wonder
what it’s like
to live your whole life
staring into the sun
among collective
anatomical distortions
this is a real place
adjacent to a Picasso
collage woven into
a shimmering tapestry
in a small white room
removed from the outside
populous
piling into express elevators
undifferentiated workers
among workers
among clouds
reflected in
skyscraper windows
v.
And I would make
the same choices
on autopilot
renounce nothing
of the world
shrinking
into a cliff
and I was
the fool
in the
Rider-Waite tarot
deck
about to walk
right off the edge
blissfully
unprepared to hit
the bottom
of the gorge
not living my life
but watching it
pulsate
through a diluted
layer of pigment
desire applied
as a thin wash
she abandons
the hallucination
unfinished
and I am the one
who waits
to start over
Isabel Bezerra Balée received her MFA in Literary Arts from Brown University in 2015, and has previously taught creative writing at Tulane University. Her first book, diluvium // a bluejay, was published by Dogpark Collective in 2021. She lives in Philadelphia.