Michael Rogner

Letter to Max

 

When we open a bookstore all the glimmering erased will be lampshades. No one will wear sunglasses. We will have a section arranged by neck length, a section arranged by spine color even though mine in the Ct anyway is the boring red/yellow hodgepodge conveying bupkis. They say small talk before the question, so what about pain? Was singing the solution or the absolution? I am thinking of the unspecified, the poor margins, settled with a shrug and a dissertation on jazz drummers, not the conga kind, but the little kit on a big stage where saxophonists blew so fiercely we called them Rabbit and Fathead. Once I hit a bird and when I checked it was a green darner. It’s wings still zipped. I don’t know if it remained a dragonfly, or if together we became something new. So now what? A horse can be but one thing. This book, full of you, once stood in the Baltimore County Public Library. I paid pennies though poems are not as they say alive. But to think you wrote it to my waiting and now I slice at your words with a pen knife like an antique philatelist. You had great press for a 25-year-old, though we’d all rather be unknown at 30. They say many things about patience which turn out to be untrue. If I could hear you sing it would help. I don’t believe you that metal is like a father, but glass may be our only mother. I will meditate on this and report back. What of all who still consider you? Who send you postcards and letters addressed to Max? Does meanness matter? So many questions when really I’m just waiting to be staked the way angry scientists railroad butterflies.

Annie Dillard Says to Write Like You’re Dying

 

Jesus, Annie. Maybe talk with my wife, watch the cloud shadow
of everything emotions shutter her eyes

after braving rattling sidewalk nitwits screaming at chemo patients
to stop being sheep. Maybe that’s the dying

you mean, the dying faced every midnight before waking once more
in the snow. Maybe write each myth of a nation’s

birth, pebbles we cart in pockets to rub worries away. Maybe write
like it’s working. Let’s start there. Write like I’m not

weighed down by ravenous nestlings. Write the strung out haggard
bones propping up the last resting place of pines. Annie,

just today a man told me I look like a rhythm guitarist from 1995.
Maybe write like that, wristbands and jangly

chords. Write the steady metronome. Write the crowd. Write the pick
sailing over outstretched hands. Galileo mapped its arc

just for you, Annie. A young man catches it and maybe write his way
home, write like he understands untied

helixes of double-four time, just a kid and his guitar and so many
unwritten songs a proffer for one more day.

Michael Rogner is a restoration ecologist working to bring life back to rivers in California. His writing appears or is forthcoming in Willow Springs, Bellingham Review, Crab Creek Review, Rhino Poetry, Moon City Review, and elsewhere.