Eric Abalajon
It Starts By Showing How They Crossed The Border
from Switzerland, early morning, racing
against the dawn and patrol dogs. Later,
street smart and sitting in a café,
the character of Jenny, after blurting out
Italian sentences, cites the number of Filipinos
in Milan. I was laughing at how migration movies
are sociologically clunky well into the new century,
stories appearing perpetually new and always hard
to explain. I can’t recall the exact statistic, but then
I’m aware of the trends here in Canada too. Most are women,
underemployed, alone, Tagalog is the fastest growing
language about to overtake French. Figures are
precisely haunting because what they represent
are unseen in expanse of the landscape, otherwise cinematic.
Union Busting
we got on the van, exhaling deeply
you really can’t win with this job
for general labor places, you need a union
ah, with a union, that place will turn upside down
nine or twelve hour shifts would be unimaginable
longer breaks too
not just brief shift hours, the line will have a much slower pace as well
and you really alternate work stations, not a same exhausting spot for the day
those cocky lead hands, that won’t do, no shouting and cursing either
a lot of bullshit will evaporate with unions around
the problem is, if the union is similar back home, practically syndicates
they still side with management anyway
no difference
well, this is just temporary, we’re already here
that’s true
see you tomorrow
we got off the van, exhaling deeply
Eric Abalajon is currently a lecturer at the University of the Philippines Visayas, Iloilo. His works have appeared in Ani, Katitikan, Loch Raven Review, Cha: An Asian Literary Journal, The Tiger Moth Review, Dx Machina, and elsewhere. Recently his poems are included in the collections Sobbing in Seafood City (Sampaguita Press, 2022) and Footprints: An Anthology of New Ecopoetry (Broken Sleep Books, 2022). He lives near Iloilo City.