Barnaby Smith
well trodden
1
swamp pheasants like to mount the carcasses
of white goods, so sensuously
in a clearing
currently scattered
with hikers’ bulging knees
yeasty overcoats just fall
from shoulders
while cultivating a view
& gambling on
waterfalls, which are too loud
to sit with a camera
ferociously poised
the only wilderness
is the cavernous belly button
that presses a mouth
through moth-coloured cotton
2
the night’s meeting of
soot & spew is contemplated
by a harlequin tattoo
and a yellowed tongue / still asleep
under nylon, coughing,
kissing bitten lips
& she is pink,
like feet cut on oysters—a yawn
as she moves a leafcutter nymph
to your
ankle knob
3
what animates?
pollen / matter & map
are the spark of life—
so is the accumulation
of pauses
in the boy who kicks the ball hard
at that fluttering thing
4
camphor will penetrate
the old cars, idle as blood—
this geography is contested &
obstructed only when
fire is a flow
or water is a colour
& everybody’s lawns end up
in the valley / it’s here:
the opportunity
for strangers to reconcile
Barnaby Smith is a poet, critic, journalist and musician living on Darug and Gundungurra land in New South Wales, Australia. Recent work has appeared in journals such as Stand, Blackbox Manifold, 3AM, Erbacce, Orbis, Tentacular, Molly Bloom and Blaze Vox, as well as Cordite, Southerly, Australian Poetry Journal, Australian Poetry Anthology, Best Australian Poems, and more. He is an award-winning art and music critic, and records music under the name Brigadoon, having released the album, Itch Factor, in 2020: www.brigadoon.bandcamp.com.