Barnaby Smith

well trodden

1

swamp pheasants like to mount the carcasses 
of white goods, so sensuously 
in a clearing
                    currently scattered
                    with hikers’ bulging knees

yeasty overcoats just fall 
from shoulders 
while cultivating a view 
& gambling on

waterfalls, which are too loud
to sit with a camera
ferociously poised

the only wilderness 
is the cavernous belly button
that presses a mouth 
through moth-coloured cotton


2

the night’s meeting of 
soot & spew is contemplated
by a harlequin tattoo
and a yellowed tongue / still asleep
under nylon, coughing,
kissing bitten lips 

& she is pink,
like feet cut on oysters—a yawn 
as she moves a leafcutter nymph 
to your 
ankle knob 


3

what animates?
pollen / matter & map 
are the spark of life— 
so is the accumulation 
                    of pauses
                    in the boy who kicks the ball hard
                    at that fluttering thing


4

camphor will penetrate 
the old cars, idle as blood—

this geography is contested &
obstructed only when 
fire is a flow 
or water is a colour

& everybody’s lawns end up
in the valley / it’s here: 
the opportunity
for strangers to reconcile

Barnaby Smith is a poet, critic, journalist and musician living on Darug and Gundungurra land in New South Wales, Australia. Recent work has appeared in journals such as Stand, Blackbox Manifold, 3AM, Erbacce, Orbis, Tentacular, Molly Bloom and Blaze Vox, as well as Cordite, Southerly, Australian Poetry Journal, Australian Poetry Anthology, Best Australian Poems, and more. He is an award-winning art and music critic, and records music under the name Brigadoon, having released the album, Itch Factor, in 2020: www.brigadoon.bandcamp.com.